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Friday, February 20, 2015

Crow Dog



Crazy Dog (Kangisanka). An Oglala Sioux chief. He took no prominent part in the Sioux war of 1876, but in 1881 he shot Spotted Tail in a brawl, and for this was tried before a jury and sentenced to be hanged, but the United States Supreme Court ordered his release on habeas corpus, ruling that the Federal courts had no jurisdiction over crimes committed on reservations secured to Indian tribes by treaty. Other deeds attested his fearless nature, and when the Ghost-dance craze emboldened the Oglala to go upon the warpath, angered by a new treaty cutting down their reservation and rations, Crow Dog was one of the leaders of the desperate band that fled from Rosebud agency to the Badlands and defied Gen. J. A. Brooke’s brigade. He was inclined to yield when friendlies came to persuade them, and when the irreconcilable’s caught up their rifles to shoot the waverers he drew his blanket over his head, not wishing, as he said, to know who would be guilty of slaying a brother Dakota. When the troops still refrained from attacking, and the most violent of his companions saw the hopelessness of their plight, he led his followers back to the agency toward the close of Dec. 1890.
Sources:
Brown, Dee (1970), Bury My Heart at Wounded Knee, Bantam Books, ISBN 0-553-11979-6
Crow Dog's Case: American Indian Sovereignty, Tribal Law, and United States Law in the Nineteenth Century (Studies in North American Indian History) By Sidney L. Harring p. 107. Publisher: Cambridge University Press (February 25, 1994) Language: English ISBN 0-521-46715-2.
Famous American Crimes and Trials: 1860-1912 by Frankie Y. Bailey, Steven M. Chermak pp. 101–105. Publisher: Praeger Pub (October 2004) ISBN 0-275-98335-8.
About the image: Crow Dog-enwikipedia-Public domain,




A winter Count

Did you know?

What is a Winter Count?
A winter count is a pictographic calendar or calendar history composed of ideographs or glyphs. These tribal records were kept by Blackfeet, Mandan, Kiowa, and especially the Lakota or Teton Sioux. There are approximately 100 in existence (but many of these are duplicates). (Burke) The Dohasan Calendar of the Kiowa, for example, covers 60 years from 1832 to 1892. As time was reckoned from the first snow to first snow, a winter count image would represent an overlapping year, for example, 1833-1834. In Sioux, a winter is Òwaniyetu." Calendars were called "waniyetu yawapi" from verb yawa to count or read, or Òwinter recordsÓ or Òcounting backÓ The person who painted the yearly drawings and kept the calendar in his care was called the Keeper, a tribal historian.. He selected a single remarkable even in consultation with others to denote a year.Winter counts documented episodes in the history of an extended family or tiyospaye who camped together. The images functioned as mnemonic devices to trigger memories. Natural and cultural, historical depicted. The glyphs may represent personal events, disease epidemics, battles, horseraids, or astronomical events. In the Sam Two Kills Winter count, the death of Turning Bear, who was killed by a train, is depicted (just above Two Kill's left foot in the John Anderson photo).
Often the years are recorded in a spiralling pattern going from the center to the periphery, but this is by no means standard. The calendars are painted on buffalo hides and later some, like the Anderson winter count, were copied to cloth and paper.
The first winter count to receive scholarly analysis was Lone Dog Winter Count. Since Garrick Mallery's pioneering work in 1877, a number of other winter counts were discovered in the private collections of persons who obtained them in the late Indian Wars/Early reservation period. For these known winter counts, systematic efforts were made by Mallery and others to obtain accurate interpretations of the glyphs from the "keepers" and other Native consultants who knew their meanings in the late 1800s. See an example from Mooney's description of the Kiowa Winter Count, Summer 1841 glyph. In 1886, in the 4th Annual Report of the Bureau of American Ethnography, Mallery compares five winter counts : Lone Dog (Yantonai), Flame (Two Kettle), Little Swan (Minneconjou) , plus Mato Sapa/Black Bear (Miniconjou). Included in MalleryÕs study is a section written by William H. Corbusier who describes two Oglala counts kept by American Horse and Cloud Shield. Corbusier also had access to the White Cow Killer (Oglala) account and the Battiste Good (Brule) account. The latter is unusual in that it begins in the year 900 A.D. and includes thirteen generations of seventy years (or camp circles) with individual images for the years 1700 to 1879. The Good winter Count was published in the 10th BAE Report with color plates.Swift Dog (Hunkpapa) was collected by scholar Frances Densmore. James Howard built on the foundation established by Garrick Mallery. He brought more calendars and interpretations to light in the mid-20th century and did significant comparative analysis. See Howard's "Carried Flags around Winter" from British Winter Count for 1796-97. Bibliography
Sources:
Chamberlain, Von Del, “Astronomical Content of North American Plains Indian Calendars,” Archaeoastronomy, 15 (5) 1984.
Online: Burke, Christina E. “Collecting Lakota Histories: Winter Count Pictographs and Texts in the National Anthropological Archives,” American Indian Art Magazine, 2000-2001
McCoy, Ronald T. "Winter Count: Teton Chronicles to 1799" (No. Ariz. Ph.D. disst. 1983)
Photo: Curtis, Edward 1908.


Friday, February 13, 2015

DID YOU KNOW?

DID YOU KNOW?


Language: The Mi'kmaq language, Míkmawísimk, is an Algonquian language spoken by 8000 Indians in the Canadian Maritimes (particularly Nova Scotia) and a few US communities. The Mi'kmaq dialect spoken in Quebec is called Restigouche (or Listuguj) and can be hard for other native speakers to understand. Mi'kmaq is written alphabetically today, but in the past it was written in pictographs. Though these pictographs were modified by Jesuit missionaries, who used them to teach Christian prayers to Micmac people, they probably predated European contact. Micmac hieroglyphics do not resemble Ancient Egyptian or Mayan hieroglyphs; see here for an explanation of these different writing systems. Mi'kmaq is not linguistically related to Ancient Egyptian or any other semitic languages. The Mi'kmaq language is entirely native to the New World and is related to other major North American Indian languages like Lenape, Ojibwe, and Cree. Although Mi'kmaq is one of the healthier American Indian languages, the number of children learning the language has been in decline since the 1970's. The Mi'kmaq people are working to reverse this trend before their language, like so many others, is threatened with extinction. Mi'kmaq is a polysynthetic language with complex verb morphology and fairly free word order.



Charles Hankinson (Eagle Tail), a Native American from the Micmac tribe of Canada, dances in full traditional regalia at the Healing Horse Spirit PowWow. His face paint was "gifted" to him by his grandfather.









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